{"id":5563,"date":"2017-06-11T10:11:16","date_gmt":"2017-06-11T15:11:16","guid":{"rendered":"http:\/\/zimmerscope.com\/Verbisaurus\/?p=5563"},"modified":"2017-10-14T20:40:18","modified_gmt":"2017-10-15T01:40:18","slug":"the-hamline-review-part-ii","status":"publish","type":"post","link":"https:\/\/zimmerscope.com\/Verbisaurus\/2017\/06\/the-hamline-review-part-ii\/","title":{"rendered":"The Hamline Review: Part II"},"content":{"rendered":"

And now here’s an overview of my homework. Specifically, it’s just half of my homework: I’m not listing all of the work I produced – the papers I wrote, the tests I took, or the online ‘discussions’ I was involved in. Instead, I’m only going to list the half I consumed.<\/p>\n

First, the books. Here’s every book assigned in my classes, along with notes, where applicable:<\/p>\n\n\n\n\t\n\t\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
#<\/th>Class<\/th>Book Title<\/th>Author<\/th>Notes<\/th>\n\t<\/tr>\n<\/thead>\n
1<\/td>American History 1607-1860<\/td>American Slavery, American Freedom<\/td>Morgan, Edmund S.<\/td><\/td>\n\t<\/tr>\n\t
2<\/td>American History 1607-1860<\/td>Letters from an American Farmer<\/td>St. John De Crevecoeur, J. Hector<\/td>Only assigned to read the Introduction and chapters 2,3,4,5,9, and 12<\/td>\n\t<\/tr>\n\t
3<\/td>American History 1607-1860<\/td>American Revolution: A History, the<\/td>Wood, Gordon S.<\/td><\/td>\n\t<\/tr>\n\t
4<\/td>American History 1607-1860<\/td>Andrew Jackson and His Indian Wars<\/td>Remini, Robert V.<\/td><\/td>\n\t<\/tr>\n\t
5<\/td>American History 1607-1860<\/td>American Reformers, 1815-1860<\/td>Walters, Ronald G.<\/td><\/td>\n\t<\/tr>\n\t
6<\/td>American History 1607-1860<\/td>Lincoln at Gettysburg<\/td>Wills, Gary<\/td><\/td>\n\t<\/tr>\n\t
8<\/td>Textual Studies and Criticism<\/td>Thomas and Beulah<\/td>Dove, Rita<\/td>Despite being <100 pages, I didn't finish this one. I don't really like poetry. Still got an A- on the paper, though.<\/td>\n\t<\/tr>\n\t
7<\/td>Textual Studies and Criticism<\/td>Almost an Evening<\/td>Coen, Ethan<\/td><\/td>\n\t<\/tr>\n\t
9<\/td>Textual Studies and Criticism<\/td>Raisin in the Sun, a<\/td>Hansberry, Lorraine<\/td><\/td>\n\t<\/tr>\n\t
10<\/td>Textual Studies and Criticism<\/td>Lovely Bones, the<\/td>Sebold, Alice<\/td><\/td>\n\t<\/tr>\n\t
11<\/td>Textual Studies and Criticism<\/td>Best American Short Stories of 2009, the<\/td>compilation<\/td><\/td>\n\t<\/tr>\n\t
12<\/td>American Literatures (to 1860)<\/td>Heath Anthology of American Literature, Vol. A, the<\/td>compilation<\/td>Didn't have to read the whole thing, but big chunks<\/td>\n\t<\/tr>\n\t
13<\/td>American Literatures (to 1860)<\/td>Narrative of the Life of Frederick Douglass<\/td>Douglass, Frederick<\/td>I read this years earlier, and decided to reread it for class<\/td>\n\t<\/tr>\n\t
14<\/td>American Literatures (to 1860)<\/td>Heath Anthology of American Literature, Vol. B, the<\/td>compilation<\/td>See Volume A's note, above<\/td>\n\t<\/tr>\n\t
15<\/td>American Literatures (to 1860)<\/td>Bartleby, the Scrivener<\/td>Melville, Herman<\/td><\/td>\n\t<\/tr>\n\t
16<\/td>Women and Literature<\/td>Pride and Prejudice<\/td>Austen, Jane<\/td>Of the books I completed reading, this was my least favorite.<\/td>\n\t<\/tr>\n\t
17<\/td>Women and Literature<\/td>Wuthering Heights<\/td>Bront\u00eb, Emily<\/td><\/td>\n\t<\/tr>\n\t
18<\/td>Women and Literature<\/td>Brokeback Mountain<\/td>Proulx, Anna<\/td>At 56 pages, this is the shortest book on this list.<\/td>\n\t<\/tr>\n\t
19<\/td>Introduction to US History<\/td>Pivotal Decades<\/td>Cooper, Jr., John Milton<\/td><\/td>\n\t<\/tr>\n\t
20<\/td>Introduction to US History<\/td>Grand Expectations: The United States, 1945-1974<\/td>Patterson, James T.<\/td>At 830 pages, this is the longest book on the list that I read in its entirety<\/td>\n\t<\/tr>\n\t
21<\/td>Introduction to US History<\/td>Restless Giant: The United States from Watergate to Bush v. Gore<\/td>Patterson, James T.<\/td><\/td>\n\t<\/tr>\n\t
22<\/td>Literary and Cultural Theory<\/td>Theory Toolbox, the<\/td>Nealon, Jeffrey \/ Searles Giroux, Susan<\/td><\/td>\n\t<\/tr>\n\t
23<\/td>Literary and Cultural Theory<\/td>Adventures of Huckleberry Finn, the<\/td>Twain, Mark<\/td>I read this years earlier, and didn't reread it for class<\/td>\n\t<\/tr>\n\t
24<\/td>Literary and Cultural Theory<\/td>Piano Lesson, the<\/td>Wilson, August<\/td><\/td>\n\t<\/tr>\n\t
25<\/td>Literary and Cultural Theory<\/td>Diving Into the Wreck<\/td>Rich, Adrienne<\/td><\/td>\n\t<\/tr>\n\t
26<\/td>Introduction to African American Studies<\/td>Making of African America, the<\/td>Berlin, Ira<\/td><\/td>\n\t<\/tr>\n\t
27<\/td>Introduction to African American Studies<\/td>Mercy, a<\/td>Morrison, Toni<\/td><\/td>\n\t<\/tr>\n\t
28<\/td>Introduction to African American Studies<\/td>Twelve Years a Slave<\/td>Northup, Solomon<\/td><\/td>\n\t<\/tr>\n\t
29<\/td>Introduction to African American Studies<\/td>Women, Race, and Class<\/td>Davis, Angela Y.<\/td><\/td>\n\t<\/tr>\n\t
30<\/td>Introduction to African American Studies<\/td>Brothers and Keepers<\/td>Wideman, John Edgar<\/td><\/td>\n\t<\/tr>\n\t
31<\/td>Introduction to African American Studies<\/td>From Black Power to Hip Hop<\/td>Collins, Patricia<\/td>I decided not to finish this one.<\/td>\n\t<\/tr>\n\t
32<\/td>Night the Hogs Ate Willie, the<\/td>Dead Until Dark<\/td>Harris, Charlaine<\/td>Only assigned chapters 1 and 2, but I read the whole thing.<\/td>\n\t<\/tr>\n\t
33<\/td>Cults in America<\/td>Revivalism, Social Conscience, and Community in the Burned-Over District<\/td>Altschuler, Glenn C. \/ Saltzgaber, Jan M.<\/td><\/td>\n\t<\/tr>\n\t
34<\/td>Cults in America<\/td>Seventh-Day Adventists and the Civil Rights Movement<\/td>London, Samuel G.<\/td><\/td>\n\t<\/tr>\n\t
35<\/td>Cults in America<\/td>How the Millennium Comes Violently: From Jonestown to Heaven's Gate<\/td>Wessinger, Catherine<\/td><\/td>\n\t<\/tr>\n\t
36<\/td>Cults in America<\/td>Why Waco?: Cults and the Battle for Religious Freedom in America<\/td>Tabor, James D. \/ Gallagher, Eugene V.<\/td><\/td>\n\t<\/tr>\n\t
37<\/td>History of Jehovah's Witnesses<\/td>Jehovah's Witnesses: Portrait of a Contemporary Religious Movement<\/td>Holden, Andrew<\/td><\/td>\n\t<\/tr>\n\t
38<\/td>History of Jehovah's Witnesses<\/td>Captives of a Concept<\/td>Cameron, Don<\/td><\/td>\n\t<\/tr>\n\t
39<\/td>Horror Film<\/td>Horror<\/td>Cherry, Bridgid<\/td><\/td>\n\t<\/tr>\n\t
40<\/td>Horror Film<\/td>Pretend We're Dead: Capitalist Monsters in American Pop Culture<\/td>Newitz, Annalee<\/td><\/td>\n\t<\/tr>\n\t
41<\/td>Censorship in Films<\/td>Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942, the<\/td>Jacobs, Lea<\/td><\/td>\n\t<\/tr>\n\t
42<\/td>Censorship in Films<\/td>Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry<\/td>Lewis, Jon<\/td><\/td>\n\t<\/tr>\n\t
43<\/td>Censorship in Films<\/td>Has Hollywood Lost Its Mind?: A Parent's Guide to Movie Ratings<\/td>Hicks, Chris<\/td><\/td>\n\t<\/tr>\n\t
44<\/td>Censorship in Films<\/td>Naked Truth: Why Hollywood Doesn't Make X-Rated Movies, the<\/td>Sandler, Kevin S.<\/td><\/td>\n\t<\/tr>\n\t
45<\/td>Historical Methods<\/td>Return of Martin Guerre, the<\/td>Davis, Natalie Zemon<\/td><\/td>\n\t<\/tr>\n\t
46<\/td>Historical Methods<\/td>Unredeemed Captive: A Family Story From Early America, the<\/td>Demos, John<\/td><\/td>\n\t<\/tr>\n\t
47<\/td>Historical Methods<\/td>Manual for Writers of Research Papers, Theses, and Dissertations<\/td>Turabian, Kate<\/td>Only had to read chapters 1,9-14<\/td>\n\t<\/tr>\n\t
48<\/td>Historical Methods<\/td>Pursuit of History, the<\/td>Tosh, John<\/td><\/td>\n\t<\/tr>\n\t
49<\/td>World Literatures<\/td>Home and the World, the<\/td>Tagore, Rabindranath<\/td><\/td>\n\t<\/tr>\n\t
50<\/td>World Literatures<\/td>Cracking India<\/td>Sidhwa, Bapsi<\/td><\/td>\n\t<\/tr>\n\t
51<\/td>World Literatures<\/td>Anil's Ghost<\/td>Ondaatje, Michael<\/td><\/td>\n\t<\/tr>\n\t
52<\/td>World Literatures<\/td>Red Azalea<\/td>Min, Anchee<\/td><\/td>\n\t<\/tr>\n\t
53<\/td>World Literatures<\/td>Artist of the Floating World, an<\/td>Ishiguro, Kazuo<\/td><\/td>\n\t<\/tr>\n\t
54<\/td>World Literatures<\/td>Obasan<\/td>Kogawa, Joy<\/td><\/td>\n\t<\/tr>\n\t
55<\/td>World Literatures<\/td>Postman (Il Postino), the<\/td>Skarmeta, Antonio<\/td>This technically wasn't assigned, but my group had to divide up the work of presenting about the film Il Postino, and I opted to compare it with the novel. <\/td>\n\t<\/tr>\n\t
56<\/td>Reform Movements in American History<\/td>American Reformers, 1815-1860<\/td>Walters, Ronald G.<\/td>I had to read this before (see #5), so I didn't reread it for this class.<\/td>\n\t<\/tr>\n\t
57<\/td>Reform Movements in American History<\/td>American Heroine: The Life and Legend of Jane Addams<\/td>Davis, Allen F.<\/td>I didn't finish this one.<\/td>\n\t<\/tr>\n\t
58<\/td>Reform Movements in American History<\/td>Franklin D. Roosevelt and the New Deal<\/td>Leuchtenburg, William E.<\/td><\/td>\n\t<\/tr>\n\t
59<\/td>Reform Movements in American History<\/td>Mad Among Us: A History of the Care of America's Mentally Ill, the<\/td>Grob, Gerald N.<\/td><\/td>\n\t<\/tr>\n\t
60<\/td>Reform Movements in American History<\/td>Age of Great Dreams: America in the 1960s, the<\/td>Farber, David<\/td><\/td>\n\t<\/tr>\n\t
61<\/td>Senior Seminar<\/td>Blind Assassin, the<\/td>Atwood, Margaret<\/td><\/td>\n\t<\/tr>\n\t
62<\/td>Senior Seminar<\/td>Secret Life of Stories: From Don Quixote to Harry Potter<\/td>B\u00e9rub\u00e9, Michael<\/td>Only had to read chapters 1 and 2.<\/td>\n\t<\/tr>\n\t
63<\/td>Senior Seminar<\/td>Forms: Whole, Rhythm, Hierarchy, Network<\/td>Levine, Caroline<\/td><\/td>\n\t<\/tr>\n\t
64<\/td>Senior Seminar<\/td>Crying of Lot 49, the<\/td>Pynchon, Thomas<\/td><\/td>\n\t<\/tr>\n\t
65<\/td>Senior Seminar<\/td>Osama: A Novel<\/td>Tidhar, Lavie<\/td>I didn't finish this one.<\/td>\n\t<\/tr>\n\t
66<\/td>Senior Seminar<\/td>Tales of the Metric System<\/td>Coovadia, Imraan<\/td>I didn't finish this one.<\/td>\n\t<\/tr>\n<\/tbody>\n<\/table>\n\n

As you can see, I didn’t read everything that was assigned. But I read most of the books and, even those I didn’t finish, I still read large swaths of them. Every class assigned critical essays, articles, or short stories, too, and I usually read those. All together, my readings represented around 15,000 pages.<\/p>\n

And here are the films – including a couple TV miniseries – that I was assigned to watch for class:<\/p>\n\n\n\n\t\n\t\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
#<\/th>Class<\/th>Movie Title<\/th>Movie Release Year<\/th>Notes<\/th>\n\t<\/tr>\n<\/thead>\n
1<\/td>Textual Studies and Criticism<\/td>Limbo<\/td>1999<\/td><\/td>\n\t<\/tr>\n\t
2<\/td>Textual Studies and Criticism<\/td>Lovely Bones, the<\/td>2009<\/td><\/td>\n\t<\/tr>\n\t
3<\/td>Textual Studies and Criticism<\/td>Raisin in the Sun, a<\/td>1961<\/td><\/td>\n\t<\/tr>\n\t
4<\/td>Textual Studies and Criticism<\/td>Raisin in the Sun, a<\/td>2008<\/td><\/td>\n\t<\/tr>\n\t
5<\/td>Women and Literature<\/td>Bridget Jones's Diary<\/td>2001<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
6<\/td>Women and Literature<\/td>Piano, the<\/td>1993<\/td><\/td>\n\t<\/tr>\n\t
7<\/td>Women and Literature<\/td>Brokeback Mountain<\/td>2005<\/td><\/td>\n\t<\/tr>\n\t
8<\/td>Literary and Cultural Theory<\/td>Piano Lesson, the<\/td>1995<\/td><\/td>\n\t<\/tr>\n\t
9<\/td>Introduction to African-American Studies<\/td>Daughters of the Dust<\/td>1991<\/td><\/td>\n\t<\/tr>\n\t
10<\/td>Night the Hogs Ate Willie, the<\/td>Nosferatu<\/td>1922<\/td><\/td>\n\t<\/tr>\n\t
11<\/td>Night the Hogs Ate Willie, the<\/td>Beloved<\/td>1998<\/td><\/td>\n\t<\/tr>\n\t
12<\/td>Night the Hogs Ate Willie, the<\/td>Night of the Hunter, the<\/td>1955<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
13<\/td>Night the Hogs Ate Willie, the<\/td>Eve's Bayou<\/td>1997<\/td><\/td>\n\t<\/tr>\n\t
14<\/td>Night the Hogs Ate Willie, the<\/td>Deliverance<\/td>1972<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
15<\/td>Night the Hogs Ate Willie, the<\/td>Night of the Living Dead<\/td>1968<\/td><\/td>\n\t<\/tr>\n\t
16<\/td>Night the Hogs Ate Willie, the<\/td>Sugar Hill<\/td>1974<\/td><\/td>\n\t<\/tr>\n\t
17<\/td>Night the Hogs Ate Willie, the<\/td>Texas Chainsaw Massacre, the<\/td>1974<\/td><\/td>\n\t<\/tr>\n\t
18<\/td>Night the Hogs Ate Willie, the<\/td>Pumpkinhead<\/td>1988<\/td><\/td>\n\t<\/tr>\n\t
19<\/td>Night the Hogs Ate Willie, the<\/td>Near Dark<\/td>1987<\/td><\/td>\n\t<\/tr>\n\t
20<\/td>Night the Hogs Ate Willie, the<\/td>Silence of the Lambs, the<\/td>1991<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
21<\/td>Night the Hogs Ate Willie, the<\/td>Wild at Heart<\/td>1990<\/td><\/td>\n\t<\/tr>\n\t
22<\/td>Night the Hogs Ate Willie, the<\/td>Doe Boy, the<\/td>2001<\/td><\/td>\n\t<\/tr>\n\t
23<\/td>Night the Hogs Ate Willie, the<\/td>Beast of the Southern Wild<\/td>2012<\/td>Already seen; didn't watch it again<\/td>\n\t<\/tr>\n\t
24<\/td>Cults in America<\/td>Jonestown: The Life and Death of People's Temple<\/td>2006<\/td><\/td>\n\t<\/tr>\n\t
25<\/td>Cults in America<\/td>American Experience: God in America (parts 1-6), the<\/td>2010<\/td>This was a PBS miniseries, so technically not a movie, but still pretty long.<\/td>\n\t<\/tr>\n\t
26<\/td>Horror Film<\/td>Safe Haven<\/td>2006<\/td>Short film - still counts<\/td>\n\t<\/tr>\n\t
27<\/td>Horror Film<\/td>Haunting, the<\/td>1963<\/td><\/td>\n\t<\/tr>\n\t
28<\/td>Horror Film<\/td>Shining, the<\/td>1980<\/td><\/td>\n\t<\/tr>\n\t
29<\/td>Horror Film<\/td>Blair Witch Project, the<\/td>1999<\/td><\/td>\n\t<\/tr>\n\t
30<\/td>Horror Film<\/td>Halloween<\/td>1978<\/td><\/td>\n\t<\/tr>\n\t
31<\/td>Horror Film<\/td>Zodiac<\/td>2007<\/td><\/td>\n\t<\/tr>\n\t
32<\/td>Horror Film<\/td>Woman, the<\/td>2011<\/td><\/td>\n\t<\/tr>\n\t
33<\/td>Horror Film<\/td>Thing, the<\/td>1951<\/td><\/td>\n\t<\/tr>\n\t
34<\/td>Horror Film<\/td>Thing, the<\/td>1982<\/td>Already seen; watched it again<\/td>\n\t<\/tr>\n\t
35<\/td>Horror Film<\/td>Ganja and Hess<\/td>1973<\/td><\/td>\n\t<\/tr>\n\t
36<\/td>Horror Film<\/td>White Zombie<\/td>1932<\/td><\/td>\n\t<\/tr>\n\t
37<\/td>Horror Film<\/td>Dawn of the Dead<\/td>1978<\/td><\/td>\n\t<\/tr>\n\t
38<\/td>Horror Film<\/td>American Zombie<\/td>2007<\/td><\/td>\n\t<\/tr>\n\t
39<\/td>Horror Film<\/td>Cabin in the Woods, the<\/td>2012<\/td><\/td>\n\t<\/tr>\n\t
40<\/td>Horror Film<\/td>L\u00e5t den R\u00e4tte Komma In (Let the Right One In)<\/td>2008<\/td><\/td>\n\t<\/tr>\n\t
41<\/td>Horror Film<\/td>There Will Be Blood<\/td>2007<\/td>Already seen; didn't watch it again.<\/td>\n\t<\/tr>\n\t
42<\/td>Horror Film<\/td>Twelve Years a Slave<\/td>2013<\/td>Already seen; didn't watch it again<\/td>\n\t<\/tr>\n\t
43<\/td>Censorship in Films<\/td>This Film is Not Yet Rated<\/td>2006<\/td>Already seen; didn't watch it again.<\/td>\n\t<\/tr>\n\t
44<\/td>Historical Methods<\/td>Retour de Martin Guerre, le (The Return of Martin Guerre)<\/td>1982<\/td><\/td>\n\t<\/tr>\n\t
45<\/td>World Literatures<\/td>Ghare-Baire (The Home and the World)<\/td>1984<\/td><\/td>\n\t<\/tr>\n\t
46<\/td>World Literatures<\/td>In the Time of the Butterflies<\/td>2001<\/td><\/td>\n\t<\/tr>\n\t
47<\/td>World Literatures<\/td>Diarios de Motocicleta (The Motorcycle Diaries)<\/td>2004<\/td><\/td>\n\t<\/tr>\n\t
48<\/td>World Literatures<\/td>Postino, Il<\/td>1994<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
49<\/td>Senior Seminar<\/td>After Hours<\/td>1985<\/td><\/td>\n\t<\/tr>\n\t
50<\/td>Senior Seminar<\/td>Magnolia<\/td>1999<\/td>Already seen; watched it again.<\/td>\n\t<\/tr>\n\t
51<\/td>Senior Seminar<\/td>When the Levees Broke<\/td>2006<\/td>TV miniseries, still counts.<\/td>\n\t<\/tr>\n\t
52<\/td>Senior Seminar<\/td>Fast, Cheap, and Out of Control<\/td>1997<\/td><\/td>\n\t<\/tr>\n<\/tbody>\n<\/table>\n\n

A few were viewed in class, there was one I saw at the theater (The Lovely Bones<\/em>), two of them I had to show up on campus at special times to watch an out-of-class viewing, and the rest I watched at home. Of the four films on the list here that were assigned and that I had seen before, but that I didn’t watch again, two of them I had seen so recently that I felt I didn’t need to take time out for a second viewing (Twelve Years a Slave <\/em>and This Film is Not Yet Rated<\/em>), and two I didn’t like enough to want to sit through again (There Will be Blood <\/em>and Beasts of the Southern Wild<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"

And now here’s an overview of my homework. Specifically, it’s just half of my homework: I’m not listing all of the work I produced – the papers I wrote, the tests I took, or the online ‘discussions’ I was involved in. Instead, I’m only going to list the half I consumed. First, the books. Here’s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5563","post","type-post","status-publish","format-standard","hentry","category-current-events"],"_links":{"self":[{"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/posts\/5563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/comments?post=5563"}],"version-history":[{"count":6,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/posts\/5563\/revisions"}],"predecessor-version":[{"id":5610,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/posts\/5563\/revisions\/5610"}],"wp:attachment":[{"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/media?parent=5563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/categories?post=5563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zimmerscope.com\/Verbisaurus\/wp-json\/wp\/v2\/tags?post=5563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}